THE STORYTELLER

He lives the story – not his life. This might be the résumé of two hilarious and rather inspiring hours in the sun together with one of my most heartily friends, somewhere in the museums quarter on a creepy Sunday afternoon. Why I came to even this issue about telling stories, depends on a guy the both of us were talking about. A guy who might have perfected the way of living the life as a beloved or maybe even dreamed story he built around his very self. I admit that I don’t know him that well on a personal level, but in every of our always occasional getting together he symbolizes, and not only to me the belonging to another time of the 20^th century. It’s primarily about his style but all above about his eloquence bringing you to the idea this man has boarded a time machine some when in the golden twenties and has left all those great intellectuals and artists, from Ernest Hemingway to Salvador Dalí simply to get faced to an epoch his soul seems lost in. Last time I saw him, he was passing by on his bicycle, vintage of course, with a pair of gorgeous cognac-colored-calf-leather brogues, shoelaces in red and his steady companion, a tweed jacket – the accomplished Francis Scott Fitzgerald look. I often wonder if he ever gets connected to our world and our style. He sometimes seems thus affected in projecting his own understanding of an ideology to the rest of his entourage he might forget the story he lives. But are we ever able to change the story we were giving to get along with? Can we even tell a story of life while we are actually still living it? Maybe we try to display a perfect image of ourselves by telling stories we might never have heard of, by blurring the own imperfections away. But can any story be told were perfection is found? I think it was Harvey Weinstein, one of Hollywood’s most famous storytellers who brought it to the point by saying, that we are mostly fascinated of what we do, but over all we love how people look at it, that’s why we might love doing it perfectly. He also said that people love a true story, so what should we give the preference at least – the truth or a variation of it?

Later that day I began thinking in a story telling context, what we might want to achieve by telling some. I mean besides the fact of putting some records straight it remains an entertaining issue, it doesn’t matter in which range of story we are delayed: Opera – Film – Art. All of them want to tell a story in order to might letting forget the own conditions we are located in for a certain while. Perhaps we should understand our own told story more as an artistic act, in order to let us forget what we actually are having sort of a showdown with. Never complain, never explain – that’s what I was told last week and I admit that it fits even in our story’s coherence. So why should we bother about living the story while forgetting to live, when living is nothing but a story to tell.

Cheers

Lorax 

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